I really think that this design is disjointed, discombobulated and ill-conceived. It uses fabrics for a few blocks and then never uses them again on the entire quilt. There are probably 25 different fabrics. There are several different block designs - some 6 patch, some 4-patch, etc. That made designing a continuous design challenging. After some thought and many hours of quilting, I still wonder if an edge-to-edge may have been a better route. Hate when those moments of uncertainty come after 2 weeks of non-stop quilting (and the client really did want a "custom"). These gripes, mind you, are directed back at the designer of this top and not the piecer. She did a nice job with such a large quilt at keeping most points and creating a flat and easily quiltable top. She's probably really looking forward to 440" of binding...teehee
There are 16 of these small-ish (~6-8") blocks around the outer flanks of the quilt, eight of each block. I was happy to discover that despite the blocks being different, it was rather simple to devise a reasonably simple stitch pattern that was the same and worked for both block designs.
This quilt has a nice Hobbs wool batting so over quilting was not desired. Besides, I wanted to keep it somewhat "period", and avoid things like pebbles and meander stippling, etc.
This quilt has a nice Hobbs wool batting so over quilting was not desired. Besides, I wanted to keep it somewhat "period", and avoid things like pebbles and meander stippling, etc.
The monstrous borders are what is shown below. I like the feathered triangles, and think that they work well. Any areas that had minimal piecing had quilting more tailored to show, such as feathering.
The four corners of the quilt are comprised each of 4-13.5" (yea, my eyes rolled also) blocks. As I said earlier, each of these has a different construction geometry. To keep the cost more manageable, we opted to do a E2E filler in these 16 corner blocks. I think this was a good decision. I wanted to do Baptist fans really bad, but I do these with templates and they just do not fall into E2E pricing. Instead, I subdivided each block into quadrants and did free feathers down the diagonals.
This shows more evidently on the back. It creates a nice texture, and is not out of context with the genre of the quilt.
For those curious, I used Superior's So Fine thread on the top and Bottomline on the bottom...4300 yards to be exact.
I am onto another reproduction quilt; started it today. It is Patriots in Petticoats. It's a very lovely design and I am having fun with this quilt already. It's a little brighter than this one in this post, and has more open fabric where I can quilt. Posts later this week...
6 comments:
Poor Margaret - two in a row! Sorry about that. I thought my Patriots one was rather discombobulated, but I see what you mean with the Civil War project. Your trouble-shooting with the big corner blocks looks great.
I've been following you for awhile and love your quilting. Looking forward to seeing how you quilt Patriots and Petticoats. Thanks for all your photos.
I think your quilting is beautiful. Would be proud to own this one.
Very pretty work on the Chronicles quilt. I was wondering what custom work on this project might look like. Thanks for sharing all the pictures.
The custom work you teased out of this one is wonderful, I can see you put a lot of work into it and am sure that in person it is probably even more stunning. It looks perfect staged on your bed--looks like it was made just for it!
Shows that custom on this one is an option if you are brave enough to do it.
Your quilt is beautiful, I am just seeing this quilt for the first time and wondered if you would like or can sell your pattern, I would love to see this quilt.
Thank you, Debbie
Deb.bacot@gmail.com if interested
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